At last, here is a theatre evening that is worth thinking about for a long time.
(Tagesspiegel, Patrick Wildermann)
An impressive evening in which communication takes place solely through actions and closeness is created between people.
(Theater der Zeit, Thaddäus Maria Jungmann)
This “metamorphosis” did not happen overnight; it lies in the hands of the audience.
(Theater heute, Eva Behrendt)
The vehicle almost seems to have transformed into an artefact worthy of documenta.
(Süddeutsche Zeitung, Martin Krumbholz)
The concept is simple, the reactions complex.
(Theater der Zeit, Thaddäus Maria Jungmann)
Why is it only creative construction that meets with our aesthetic approval, but not its negation? Is there not beauty in what is broken, too?
(Theater heute, Eva Behrendt)
What are people prepared to do when authorities give them permission? A happening in Bremen reveals a great potential for violence.
(taz, Benno Schirrmeister)
Is the violent excess an expression of social rage—or collective object-making? […] The happening is not easy to decipher. Perhaps that is precisely where its quality lies.
(Süddeutsche Zeitung, Martin Krumbholz)
What I experienced was both fascinating and repellent. […] Yet this, too, is precisely where its strength lies.
(Bajour Basel, Cathérine Miville)
It is these small confrontations that open up a space for conversation, beginning during the performance and remaining a topic until the final beer at the theatre bar.
